A Family of 11 Died in a Mass Suicide Three Years Ago A New Netflix Series Shows Why Its Not Over Yet.
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This documentary delves into the eleven devastating deaths in one family. She hopes that if this series prompts even a single family to sit together and discuss their traumas, the purpose of the documentary will have been achieved, even if it means overcoming the initial shock at the apparent bizarreness of it all. The 845th episode of the Indian crime television show called Crime Patrol is based on the Burari deaths. Or maybe he actually believed in the fact that they would come out of it alive and wanted to attain some kind of spiritual enlightenment. But these are just speculations, and nothing could be said for certain.
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The northeastern locality of Delhi claimed a top spot in the drawing discussion of every household in the country. But speculations and conspiracy theories were not enough for the already tarnished image of the Delhi Police force. Lalit’s mental and emotional hold over the family had grown like a cancer since his father's death. Tangents go off into the role of the Indian media and sensationalist reporting around the crime. Everything from numerology to soul possession is given the kind of airtime that is usually the remit of QAnon conspiracists, and the series is right to point out the danger this kind of “reporting” presents. At one point, the family’s plumber’s daughter undergoes trial by media, accused of being a “tantrik” because her father installed 11 pipes in the Bhatia house and 11 people died inside it.
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The instructions he was given were written in diaries, and the family secretly lived by them for 11 years. Eleven members of the same family were found hanging in the living room of their north Delhi house one summer morning; three generations, dead in what appeared to be an occult ritual gone wrong. Their bodies were discovered by neighbours who noticed a disturbance in their daily routine. The open-and-shut nature of the Burari Deaths was also something that caught everyone’s attention. The series explains, in great detail, the ‘how’ and perhaps the ‘why’ of it all.
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The use of original footage throughout the series is impressive, capturing the harsh and at times incendiary spotlight the media shone on the local community. The tension and agitation in the air is palpable as more than 5,000 people swarmed the lanes daily, some to gawp, others to demand answers the police weren’t ready or able to give. All were filming endless footage on their mobile phones. It also said a lot about the basic perceptions people have about mental health. Going to the psychiatrist for therapy is not something that is seen in a good light because, guess what, only psychos and insane people visit psychiatrists! Toxic masculinity and orthodox viewpoints have always overpowered the need to cater to one’s mental health.
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Some will forever remain unanswered, for it’s a case that has no witnesses, or any survivors. The why element, here in this case, is the biggest element. We spoke to so many cops, and crime reporters, who deal with macabre scenes, violence and gory crime on a daily basis. But they all agreed that this case was something else.
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Everyone who knew them insisted that they were high-functioning, sociable people who appeared to be doing well. Much like the rest of the country, Leena Yadav – the Mumbai-based filmmaker behind critically acclaimed films including Parched and Rajma Chawal – was also shocked at the headlines she read on the incident. Ten members of the family across three generations were hanging from the ceiling, blindfolded, gagged, and with their hands tied behind their backs. An 11th member – the oldest woman in the house – lay strangulated in a corner of the room. ” a family friend asks out loud at the end of episode three. You get the sense that it’s a question he has grappled with regularly after the deaths, as he inches towards a clarity unlike any that he has known before.
With the example of the Bhatia family, the dynamic ways psychopathology could interface with culture is beautifully portrayed and this is why this film should be watched by every psychiatrist. In the summer of July 2018, the Bhatias, a family of eleven, ages ranging from 15 to 80, were found dead on the first floor of their home in the Burari area of North Delhi. 10 bodies—seven males, three females—hung from the terrace grill while the matriarch’s remains was found on the floor. House of Secrets The Burari Deaths is something of a departure for Yadav, as earlier she has made the critically acclaimed fiction film Parched, and the Rishi Kapoor-starrer comedy, Rajma Chawal. “It was different as I come from a narrative background. I went into an interview not knowing what I will learn and where it will turn.
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As far as the who and what go, the discovery of handwritten diaries in the house soon shed light on a family that wasn’t at all what it seemed. A nearby CCTV camera showed no one outside of the family had entered or exited on the nights leading up to the deaths. It showed Tina and Shivam bringing in four newly purchased stools on June 28. On June 30, Tina and another woman are seen bringing home more stools; five plastic stools were found around the family. Later that night at 10.29pm, Lalit’s son Shivam opens the family’s plywood shop, bringing a small bundle of wires upstairs. This would be the last time any of the family was seen alive.
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“We now know that there was one family member behind this who had his own history, but that’s just the surface. I’d like to believe he was just the trigger; it doesn’t explain everything. Perhaps the other ten family members had their own history that made them so vulnerable? They included children, women and men aged 12 to 80.
Eleven members of the Bhatia family (also known as the Chundawats) were dead inside. Ten hanging from a metal grate in the ceiling, colourful saris wrapped around their necks; while the eldest, the grandmother Narayani Devi, 80, lay on her side nearby. On the roof, the family’s dog Tommy had been tied up, left to bark himself hoarse in the sun. Netflix’s latest limited series shines a light on the Burari deaths, a case which held the whole of India in its grip in the summer of 2018, when 11 members of the Bhatia family were found dead in their home. Leena does touch upon the accident and attack on Lalit that left him voiceless for some time before apparently becoming the source of his dead father’s voice, but avoids digging into the role of staunch religious belief in the case.
It didn’t strike the family even once that Lalit was suffering from PTSD or required therapy. Had he been intervened when the first signs were showed then today the family might not have met such a fateful end. Lalit didn’t talk for a year after the trauma, and people believed that he had lost his voice.
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The police ruled their deaths as a mass suicide motivated by the shared delusion that Lalit’s late father was communicating with the family through him. Lalit, a financial provider in the family, had previously suffered traumatic experiences (both physical and psychological) for which psychiatric help had been recommended but not pursued. Following a near death experience, he became functionally mute. A year later, he spontaneously regained his voice during the family’s daily Hanuman Chalisa (a Hindu devotional hymn) recital, one of the practices written in their diaries. The film captures the media’s fascination, engaging their loved ones in a debriefing of sort, to understand what went wrong with this seemingly normal family.
A lesser series would’ve been quite content with rounding up the next of kin, a couple of journalists, and whichever cop was willing to talk and called it a day. But House of Secrets throws a handful of psychologists into the mix, adding a key perspective that is usually missing in programmes such as this. One theory that came forward was that a few days before, Lalit’s niece was engaged.
The Head Constable Rajiv Tomar said that when he entered the house, he saw 11 people hanging from the ceiling, which felt like the hanging roots of a banyan tree. For 11 years, this had been going on under the nose of quite an indulgent neighborhood. This was not some residential space in North Dallas where anything that is happening inside the ranches wouldn’t be known to the neighbors. This was in the middle of an overly crowded area where the population would have been more than thirty thousand people per square kilometer. This very fact made the psychiatrists even more amused and made them think the kind of impact that Lalit would have had on a 15-year-old kid, that he believed all this to be true without even questioning it once. Lalit was the youngest among all the siblings but still was the head of the family and controlled most of the things.
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